| Né | 25 juillet 1675 (Melcombe Regis) |
| Décédé | 13 mai 1734 (Weymouth) à l'âge de 58 ans |
| Nationalité | Royaume-Uni |
| Époques | Baroque |
| Genre | Historienmalerei |
| Profession | Maler, Politiker, Hofmaler, Künstler |
| Famille | Conjoint: Lady Judith Thornhill Enfant: John Thornhill, Jane Hogarth |
| Affiliations | Royal Society |
| Œuvres majeures | The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral (1713), Sheet of Classical Figure Studies, The Sermon on the Mount, A Niche for Mr. Portman's House at Sherborne (1720) |
| Musées | Art Institute of Chicago |
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| Né | 25 juillet 1675 (Melcombe Regis) |
| Décédé | 13 mai 1734 (Weymouth) à l'âge de 58 ans |
| Nationalité | Royaume-Uni |
| Époques | Baroque |
| Genre | Historienmalerei |
| Profession | Maler, Politiker, Hofmaler, Künstler |
| Famille | Conjoint: Lady Judith Thornhill Enfant: John Thornhill, Jane Hogarth |
| Affiliations | Royal Society |
| Œuvres majeures | The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral (1713), Sheet of Classical Figure Studies, The Sermon on the Mount, A Niche for Mr. Portman's House at Sherborne (1720) |
| Musées | Art Institute of Chicago |